Mr Mo, my black cat, has golden yellow eyes that are quite striking in contrast with his velvety black fur. Last summer I made a series of pet beads in colors of several animal friends, and the Mo series were mostly black with hints of gold and yellow, with clear encasing.
Here are three Mo beads mounted up as a necklace and earrings, with black seed beads providing dangling accents. It is always fun to have part of any jewelry be in motion when the wearer is.
Black bead dangles
Click on the photo for a close up of the earring and pendant set.
Below is a shot of the champion snoozer Mr Slikypants Mo, sound asleep with his feet in the air.
Mo snooze
Tags: AuraSunArts, beads, black, earrings, encasing, glass, Mr Mo, necklace, pet, seed
AuraSunArts, the mo report | mary | December 31, 2012 4:19 am | Comments (0)
Larimar is a beautiful blue semi-precious stone mined in the Dominican Republic. The blue colors are like ocean colors in the Caribbean and the stone is popular on many islands in the area. On a trip to the Virgin Islands I picked up a specimen of larimar cut like a small marble and a card indicating what stones came from each part of the world.
Here I tried mixing various blues and stirring the colors with a metal rod to create a marbled effect. These beads do not have the usual clear coat of glass called encasing, so the color is right at the surface of the bead. It was an interesting challenge to try to match the color. First I made a core bead and then layered more colors on the surface and stirred those together by hand, being careful to just heat the outside of the bead and not get the entire bead molten.
Stir it up! Click on the photo for an enlarged view.
larimar marble and beads
Tags: AuraSunArts, beads, blue, Caribbean, encasing, glass, handmade, larimar, marble, molten, stir, water
AuraSunArts | mary | October 20, 2012 7:18 pm | Comments (0)
Summer has continued through September in Seattle with hardly any rain, which we badly need. The warm weather allows me to continue beading. The shorter days mean that if it gets dark while I am at the torch, an assortment of insects such as those giant crane flies might get in and buzz around me. If they are drawn to the flame they are toast.
red white and blue
Here are a couple new rows of handmade beads: The ever popular red and black, colors that are just made for each other. Of course they have tiny hints of gold. Click on the photo for a closer view.
The dark blue beads were made on 9-11, the 11th anniversary of the attacks on our country. They have a black core, layered with translucent red which is nearly invisible against the black. Above that float specks of blue and periwinkle, with hints of white or white specks of sand and clear encasing. They are a subtle red, white and blue but the colors themselves can represent mourning, fire, police, firemen, lost souls. With hints of green and purple the sorrow is the color of a bruise.
A mourning cloak butterfly stopped by, a rich deep brown with yellow accents.
mourning cloak
Mr Mo stopped to check out another project in the works.
what's that Mo?
Tags: 9-11, AuraSunArts, beads, black, blue, butterfly, encasing, Mr Mo, rain, red, sand, summer, white
AuraSunArts, making glass beads | mary | September 29, 2012 3:41 pm | Comments (0)
Bead making season is underway at last. The optimum temperature range for lamp working glass is between 65 and 80 degrees F, below that range and the glass is too chilled to melt properly, and above that range the artist tends to melt.
Spring and warmer weather arrived long ago but playing in the garden won out, the lawn needed mowing and the vegetable garden had to be planted. Now with summer here I can finally make time for playing with fire.
Below are a few photos of bead making in progress: you wrap an initial core of glass onto the steel rod and marver that into a cylinder, then add additional colors on top. Here I am using a technique to capture a small bubble of air by making a dent in the glass with a sharp steel tool, and then covering the dent with clear glass.
Seattle has a new glass museum, the Chihuly Glasshouse and garden will be an inspiring place to visit.
adding molten glass to the bead
poking dents into the glass
cooling the bead away from the flame
Tags: AuraSunArts, beads, bubbles, Chihuly, encasing, fire, glass, marver, melt, Seattle, spring, summer, temperature, torch
AuraSunArts, making glass beads | mary | July 21, 2012 10:47 pm | Comments (0)
Mandy Hula blue merle beads
I have been working on a series of pet beads. Some were inspired by the unfortunate passing of some dearly beloved pets. I made one series with blacks, grays and hints of brown and blue to honor a blue merle Australian Shepherd, she of the dancing hairy skirts known as Mandy Hula.
Sambeaux tortoiseshell beads
Another series was made to honor a very pretty tortoiseshell long haired cat named Sambeaux. I had a nice time snuggling with Sambeaux, scratching under her chin while she purred nonstop. I will miss both of those dear friends and I know their owner is missing them mightily.
Jasper orange tabby beads
A third series were in the colors of an orange and white tabby, our friendly neighbor cat Jasper. I had not seen him for several weeks and feared the worst, but he showed up with a freshly shaved neck which tells me he must have spent some time at the vet’s. That series was an extra challenge as the opalino cream colored glass has a lower melting point than the clear and amber encasing.
Click on any of the photos to see the entire row of beads in each series. I think Aura Sun Arts will be specializing in these pet beads for many a furry friend. Custom requests are always accepted.
Tags: beads, cat, dog, encasing, glass, Jasper, Mandy Hula, opalino, pet, Pet beads, Sambeaux
AuraSunArts | mary | September 5, 2011 3:41 pm | Comments (0)
Seafoam blues with hints of green
The Vernal Equinox arrives, and today’s creation features three Aura Sun Arts beads strung with a range of blues and hints of green.
The handmade beads feature my favorite blue and gold glimmers, and tiny air bubbles encased in clear glass. I add the air bubbles by making a mesh of glass strings and encasing over that. Many glass artists view air bubbles as mistakes, but I find them to be really fun. When you spin the bead the bubbles look like tiny planets in orbit.
Click on the photo for a closer look. This one is 24 inches and needs no clasp. It has already gone to a good home, but a similar creation might cost $95.00.
fire bead in peyote stitch woven choker
Finally finished another woven seed bead choker this week.
I call this series Fire beads because of how great they look in full sunlight – like they are on fire! Translucent ambers and blues with glimmers of gold and lots of encased air bubbles make this handmade Aura Sun Arts bead special.
The focal bead colors are repeated in the seed beads along the necklace, in shades of amber and brown, with flecks of gold and a scattering of blues. The bead weaving technique, using upholstery thread and a tiny needle, is called the peyote stitch. With it you can create patterns or completely freeform pieces, it is much like knitting.
Browns and blues just naturally complement each other, it’s a good team. Here is another shot to show the detail on the end clasp. Some of the beads were just 1mm in size, it made this one more challenging. It is 15.5 inches long. $250.00. Click on each photo for an enlarged view.
fire bead with bubbles
Tags: amber, AuraSunArts, beads, blue, encasing, glass, necklace, peyote, seed, stitch, weaving
AuraSunArts, seed beads | mary | February 12, 2011 5:25 pm | Comments (1)
black, gold and blue focal bead with moonstone accents
This week’s handmade Aura Sun Arts creation features a focal bead with a black core, drifts of metallic gold and bluestone, and captive air bubbles encased in clear glass.
The lentil shaped moonstone accent beads along the necklace have their own mysterious hints of blue and gray. So sophisticated!
It measures 18 inches; the balance of smaller seed beads are in colors of matte and oil blacks and gold.
Click to see it close-up for true appreciation.
To learn more about the optical properties of moonstone, you will find the Wiki entry on adularescence is most enlightening.
Festive set
Today’s featured beads are on the festive side.
The three large encased glass cylinder beads were hand made at Aura Sun Arts as a matched set; they have air bubbles, traces of gold and bright splashes of colors inside. The largest measures 16 x 14 mm and is strung on an 18 inch necklace with a double strand of accent and seed beads in the same colors.
The matching earring beads measure 14 x 11 mm and dangle on shepherd hooks. Click on the image for a closer view.
This morning’s broadcast of Sunday Morning on CBS featured a segment on “Beads of Courage” an organization that donates beads to children with serious illnesses. They accept donated beads and have a page that details what beads they especially need. I look forward to creating some special beads for them. Either link will get you to the video of the segment that was aired this morning.
For the children involved, having a necklace that details their treatment milestones is a tangible way to be proud of their courage.
How does one make a lampworked glass bead?
half made bead
Take a steel rod of 2 – 3 mm diameter, coated with a clay release agent, and heat up this rod in the flame. With the other hand, select a glass rod of the color needed, and introduce this slowly to the flame as well. The end of the glass rod will begin to melt, and form a blob, or “gather.” Drip this onto the rod, and wrap it around. Click on the photo for a larger view.
I usually marver the bead now, by rolling it on a flat surface until it takes a cylinder shape, and use this as my canvas to paint with more colors. I keep adding layers of color, and often finish the bead with some clear glass encasing.
fully molten bead
The bead can be rather lumpy at this point, like a raspberry. I heat it up further until it is entirely molten, and takes on a smooth rounded shape. You must continually rotate the rod to keep the bead centered. If you wish the bead to be textured you skip this rounding. The bead can also be shaped by rolling it on a flat surface, or pressing it into a mold.
Then let it cool down until the normal colors return to the glass, and put it away in a kiln or warming thermal blanket to rest for several hours. The next day it can be taken off the rod: after a soak the clay rinses away and it twists free, the bead is complete and the rod can be re-coated with clay for the next dance.
The flame is a Minor lampworking torch with a mixture of propane and oxygen fuel. Proper ventilation and didymium safety glasses are essential. Wikipedia has several good entries relating to beadmaking and glass art.
Click on any photo here for a larger view.
torch, glass rods, and safety glasses
Tags: beads, clay, color, didymium, encasing, glass, handmade, lampwork, marver, molten, thermal, torch
AuraSunArts, making glass beads | mary | July 18, 2010 3:09 pm | Comments (0)