September ending

Summer has continued through September in Seattle with hardly any rain, which we badly need.  The warm weather allows me to continue beading.  The shorter days mean that if it gets dark while I am at the torch, an assortment of insects such as those giant crane flies might get in and buzz around me.  If they are drawn to the flame they are toast.

red white and blue

Here are a couple new rows of handmade beads:  The ever popular red and black, colors that are just made for each other.  Of course they have tiny hints of gold.  Click on the photo for a closer view.

The dark blue beads were made on 9-11, the 11th anniversary of the attacks on our country.  They have a black core, layered with translucent red which is nearly invisible against the black.  Above that float specks of blue and periwinkle, with hints of white or white specks of sand and clear encasing.  They are a subtle red, white and blue but the colors themselves can represent mourning, fire, police, firemen, lost souls.  With hints of green and purple the sorrow is the color of a bruise.

A mourning cloak butterfly stopped by, a rich deep brown with yellow accents.

mourning cloak

Mr Mo stopped to check out another project in the works.

what's that Mo?

animal beads

Creating small sculptures in glass is an interesting challenge.

elephants and friends, click to see all

The molten glass is like taffy or honey and tends to leave strings of itself behind.  You melt an initial blob to be the body, then dab on another blob at the hip, and watching carefully, pull slowly, drawing out a string of the proper thickness to form a leg, bending it into a leg shape, and then melt the excess away at the foot.  Later as you are working on another leg, you must take care to not accidentally melt the first leg, or melt off the tail.  It is wise to work on the biggest body parts first and leave the tiny extremities for the last.

Here are some of my baby steps in this arena; a black horse, a green hummingbird, and a trio of elephants.  These are not for sale, they are just kindergarten doodles.

To see the work of master glass sculptor Pino Signoretto, and learn about his life, check out this in depth interview at the Nautica website.

“Furthermore, glass itself has something to do with the sea, in effect, to make the magic happen you need four ingredients: sand, water, air and fire, to which I would add a fifth element which is the physical energy which the artist needs to use to shape glass.”  ~  Pino Signoretto

blue oceans of glass

Blue has to be one of my favorite colors.

oceanic blues and greens

Blue glass beads can remind one of the fabulous colors of the ocean.  Tropical waters are very clear, with little plankton, and the water is clear all the way down to the sandy bottom, showing off those gorgeous turquoise tints.  Northern waters, with richer plankton, are a dark blue green.

When you paint with watercolors, you can combine or layer colors to blend and mix until you achieve new colors.  Glass is much the same, so start with a sandy layer, then add pale blues and greens, deeper blues, some flotsam, jetsam, and a few bubbles, and you can almost imagine yourself snorkeling, rocking in the ocean to the sound of your breathing.

watercolor painted in Belize

Click on the photo to see more big blues.  Those with a layer of clear glass on the outside – “encasing” –  have an extra sense of depth.  This layer refracts and bends light just as water does.  Quite a few of these are matched pairs or sets.  See all the blue beads on the Blue oceans page.  Other new sets are featured on the Earrings page.